ABOUT > BIBLIOGRAPHY W/ LINKS
Selected Website Listings
Fussel, Adrian. “Williamsburg’s Sideshow Gallery.” The Village Voice, Blog, January 14, 2011.
artbasel.com February, 2022
Louis Stern Fine Arts, West Hollywood
Heather Hutchison: Where The Light Slips In
Louis Stern Fine Arts, West Hollywood
Heather Hutchison: Where The Light Slips In
Books and Catalogues
Stuart, Michelle. "Encaustic Works: nuance", pp.3,5,7,116-120 illustrated. R&F Paints. (January 1, 2014)
Damianovic, Maia. Minimal: Optimal, Elga Wimmer Gallery, January 1995. exhibition catalog.
Damianovic, Maia. Painting Outside Painting, The Corcoran Gallery of Art, Dec. 1995, pp. 54–55. exhibition catalog illustrated.
Eshoo, Amy, 560 Broadway, A New York Drawing Collection at Work, 1991-2006, (2008) pp. 142, 145 Yale University Press.
French, Christopher. “Transparency & Shape: Clear Contradiction.” Elga Wimmer Gallery, April 1992. exhibition catalog.
Mattera, Joanne. The Art of Encaustic Painting (2001) pp.6,10,11,76,78,79,104,107,120. illustrated. WatsonGupthill.
Rose, Barbara. “New York, New Generation” Pallazo Penna, Perugia, Italy. exhibition catalog. Sept. 1997. illustrated.
Schinsky, Bill. Current Minimalists: 38th Arts Festival of Atlanta Catalogue. Juror’s statement. June 1991, pp.7, 12
Scott, Sue. “Daily Thoughts for Daily Needs,” Nohra Haime Gallery, Sept. 1995. exhibition catalogue. illustrated.
Stavitsky, Gail. “Waxing Poetic (Encaustic Art in America,)” The Montclair Art Museum May 23–Aug. 15,1999, Knoxville Museum of Art September 24, 1999-January 9, 2000, pp.47–48. exhibition catalog. illustrated.
Sultan, Terrie. “The Rapture of Materiality,” The Corcoran Gallery of Art Biennial Exhibition of American Painting, December 1995, pp.18–23. exhibition catalog. illustrated.
Wei, Lily. “Transparent Facade: From New York to Los Angeles,” Otis Gallery, Otis College of Art & Design, September, October 1999, exhibition catalog. illustrated.
Articles and Reviews
Mendelsohn, John. "Framing The Stretcher: Adventures and Misadventures of an Idea". DART International Magazine, October, 2022. Illustrated
Alexander, Steven. "Some Good Things From 2016". Steven Alexander Journal. Dec. 24, 2016. Illustrated.
Bellasi, Pietro. “New Abstraction and Abstract Society,” Tema Celeste, Jan.-–March, 1992, p.92 illustrated.
Bellia, Fausto. “La´ Dove é stato il dolore, ora ci sara´ l’ arte,” La Nazione (Umbria), August 8, 1997.
Bergmann, Meredith. “Reviews in Brief: Heather Hutchison,” The New York Review of Art, May 1994, p. 17.
Chambers, Karen S. “ New York Letter, Exhibition Review,” Glassworks, July 1992, no. 12, pp. 43–44.
Dorsey, John . “Too much ‘different’ makes show uneven,” The Baltimore Sun, Jan.14, 1996, pp. 1K–2K.
Duranti, Massimo. “N.Y. New Generation,” Corriere, (Italy), September 17, 1997.
Edmonds, Brian. “Exhibition-Robert Otto Epstein, Joy Taylor, and Heather Hutchison @Imogen Holloway Gallery” Curating
Contemporary, July 6, 2013.
Contemporary, July 6, 2013.
Edwards, Nicole. “Marist College hosts national show,” Poughkeepsie Journal, Nov. 10, 2000.
Goodman, Johnathon. “Painting Outside Painting (Exhibition review)” ARTnews. April 1996, p.138.
Gordon, Alice. “Playing with Tradition,” House Beautiful. October 1994, pp. 120-–121. illustrated.
Gragg, Randy. The Oregonian. November 23, 1990, pp. J1–J2.
Greben, Diedre Stein. “Exhibition Review,” Artnews, December 1997, volume 96, #11, p. 162.
Hirsch, Faye. “Exhibition review,” Print Collectors Newsletter, Sept.–Oct. 1992, p. 147.
Knight, Christopher. “Light & Space Pieces-Coming From New York?,” Los Angeles Times, Sept. 16, 1999, pp. 52, 55–56.
Lewis, Jo Ann. “Painting Outside the Lines,” The Washington Post, December 23, 1995. pp.B1 & B5. illus.
Monzo, Chiara. “Quel brivido sottile dell’ arte,” La Nazione. (Umbria), September 3, 1997.
Moore, Cindy. "Capturing the Beast in the Beauty," NY ARTS, July/ August 2006, Vol. 11, No. 7/8, illustrated.
Morgan, Robert. “Three New York Reviews,” Lusty Mover, Fall 1992, p. 3.
Oisteanu, Valery. “Invitational ‘97,” NY ARTS MAGAZINE, #13 September 1997, p.35. illustrated.
Ostrow, Saul. “History Is Now,” The New Art Examiner, March 1996, pp.29–31.
Ponti, Carlo. “L’arte entra nella fossa dei serpenti,” Corriere, (Italy), August 19, 1997.
Shaw-Eagle, Joanna. “Painting Beyond Traditional Limits,” The Washington Times, December 24, 1995.
Slatin, Peter. “Intuitive Perception / Nohra Haime,” Artnews, May 1993, pp. 141. April 1994, pp. 101–102. illustrated.
Smart, Paul."Through a Plexiglas, Brightly", The Woodstock Times, February 16, 2006 , p.8. illustrated.
Smart, Paul.“Encaustic Comments,” The Woodstock Times, November 13, 2003 p.10
Smith, Roberta. "ART REVIEW;Testing Limits at the Corcoran". The New York Times. January 6, 1996, Section 1, p.11.
Stein, Deidre. “Heather Hutchison Gravity and Light,” Artnews, April 1994, volume 93, #4, pp.101–102. illustrated.
Tolnick, Judith. “Unlocking the Grid (Concerning the Grid in Recent Painting),” University of Rhode Island, January 1999, exhibition essay. illustrated.
Van Siclen, Bill. “URI’s ‘Unlocking the Grid’ releases creativity.” The Providence Journal, Feb. 19, 1999, p. E8
Wallis, Stephen. “Shows Not to Miss,” Art and Antiques, Jan. 1996.
Wright, Jeff. “Passages of Light,” Cover, October 1995, p. 10. illustrated.
Wright, Jeff. “Inviting Directions, Four Points at Knoedler & Co.,” Cover, 1997, Volume 11, #5, pp. 14–15.